My studio practice is grounded in the production of replica prehistoric stone tools and their juxtaposition with readymades from American material culture. I join these objects in assemblages to create a space of free association for the viewer.
A typical day in my studio involves reducing a raw rock into a useful tool that has both practical and aesthetic value. During this process, I enter a state of flow in which industrial time loses meaning. I attempt to return from this condition with intuitions that can be used to generate new ideas in the real world.